The Colonial-Revival style in architecture, interior design, and decorative arts emerged in the late 19th century, particularly gaining popularity in the United States during the early 20th century. This style was a homage to the American colonial past, drawing inspiration from the architectural and decorative elements of the colonial period, roughly from the 17th to the early 19th century.
The roots of Colonial-Revival can be traced back to the Centennial Exposition held in Philadelphia in 1876. This event celebrated the 100th anniversary of the signing of the Declaration of Independence and sparked an interest in the nation's colonial heritage. Architects and designers began to look at the Georgian, Federal, and Dutch Colonial styles for inspiration:
By the 1890s, Colonial-Revival had become a national style, embraced not only in residential architecture but also in public buildings, schools, churches, and even commercial structures. The style was further popularized through the work of architects like Charles Adam Platt and Stanford White.
The Colonial-Revival movement was not just about aesthetics but also about national identity and pride. At a time when the country was rapidly industrializing and modernizing, there was a longing for a simpler, more authentic American past. This nostalgia was also reflected in literature and politics, fostering a sense of continuity with the founding fathers and early American values.
Moreover, the style was adaptable, allowing for modern conveniences like indoor plumbing and electricity to be integrated into a traditional aesthetic. The revival was not limited to architecture; it extended to decorative arts, influencing everything from silverware to textiles.
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